Pottery at Arna-Jharna explores how the desert’s soil becomes part of everyday life – moulded, fired, and transformed into forms that hold water, food, and memory. The collection brings together objects, tools, and instruments made by potters from across western Rajasthan, showcasing both utility and artistry rooted in the region’s landscape.

The Collection

The pottery gallery includes a range of functional and ritual objects – water pots, storage jars, lamps, toys, votive figures, and musical instruments made from clay. Each piece reflects how local communities work with the materials around them, using clay sourced from nearby ponds, lakes, and dry riverbeds.

The display also features tools used by potters – from hand-spun wheels and shaping paddles to firing arrangements – offering visitors a view of the complete process. Together, these items tell a story of continuity, adaptation, and quiet innovation.

The Potter’s Knowledge

For generations, Kumbhar (potter) families have practiced this craft, passing down methods and songs tied to the rhythms of work. Their knowledge extends far beyond shaping clay – it includes understanding of soil types, the behaviour of fire, the timing of drying, and the seasonal patterns that affect their practice.

In the desert, where water is scarce, clay work demands precision and care. Potters balance availability of materials with need – shaping vessels that keep water cool, grain dry, and homes functional. Each form evolves from practical experience and an understanding of the environment.

Stories and Traditions

Every object on display carries a story – of purpose, faith, or community. Some pots are made for festivals and rituals, others for storing buttermilk or fermenting curd. Clay toys reflect the creativity of rural artisans, and musical instruments like the clay drum (ghatam) connect sound to soil.

Through photographs and field notes, the exhibition documents how potters live and work, often combining craft with farming or other seasonal labour. It also highlights how the practice adapts – from wood-fired kilns to modern substitutes, or from village trade to local markets.

Pottery in Practice

At Arna-Jharna, pottery is not only displayed – it is demonstrated and experienced. Visiting artisans conduct live sessions where visitors can watch or participate in wheel-throwing, hand-modelling, and surface finishing.

With prior notice, schools, groups, and researchers can arrange guided workshops to learn about clay selection, shaping, drying, and firing. These sessions emphasize both the technical skill and the ecological awareness that define traditional pottery.

Living Tradition

The museum’s work with local potters supports the idea that pottery is not a static tradition, but a living knowledge system. By creating space for makers to share their craft, Arna-Jharna connects cultural practice with contemporary learning – encouraging visitors to understand the clay not just as material, but as memory and livelihood.